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Art
Our best selection of art and art criticism through the ages. From the scholarly to the glossy, we try to keep a selection of the complete range of art books here.
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1964-1971 3vol A Collection of the Works of William Blake and Thomas GrayLondon; New Jersey: 1964-1971A smart collection of first edition studies on the works of William Blake and Thomas Gray, with illustrations. -
c1920 Rubaiyat of Omar KhayyamLondon: c1920Edward FitzGerald's translation of Omar Khayyam's collection of poetical quatrains, adorned with Edmund Dulac's fantastic colour plates, and in the very scarce original dust wrapper. -
1965 Painting as a PastimeNew York: 1965A smart US edition of this illustrated study of the artwork of British statesman Sir Winston Churchill. -
1950 Painting as a PastimeNew York: 1950Churchill's guide to enjoying painting as a hobby, with colour plates of his own work, and the original unclipped dust wrapper. -
1880 The Life of William BlakeLondon: 1880The preferred second edition of Alexander Gilchrist's richly illustrated biography of William Blake, in the publisher's wonderfully decorative original cloth. -
1958 Catalogue of an Exhibition of Paintings by the Rt. Hon Winston ChurchillKansas City: 1958A remarkable association copy on Winston Churchill's paintings, presented by his loyal wife Clementine in 1966. -
1998 Painting as a PastimeLondon: 1998A fascinating insight into the life of Winston Churchill as an artist, printed by Sotheby's and illustrated in colour with examples of his work. -
1978 The Complete Graphic Works of William BlakeLondon: 1978An exhaustive annotated catalogue of the engravings and illustrations of William Blake, with reproductions of his illustrations throughout. -
Signed
1910 The Sleeping BeautyLondon: 1910A de luxe, signed edition of this beautifully illustrated edition of Sleeping Beauty. Illustrated by Edmund Dulac. -
Signed
1817 The Monumental Effigies of Great BritainLondon: 1817-1832An exceptional association copy of C A Stothard's important twelve part work on British effigies. From the library of Dante Gabriel Rossetti, with an inscription from his supporter and admirer, John Ruskin.