By Mr. Gay [John Gay]
London   William Heinemann
10" by 6.5" xiv, 93pp.
A brightly illustrated edition of Gay's ballad opera, signed with an inscription from the widow of Claud Lovat Fraser.
By Mr. Gay [John Gay]

1921 The Beggar's Opera

London   William Heinemann
10" by 6.5" xiv, 93pp.
A brightly illustrated edition of Gay's ballad opera, signed with an inscription from the widow of Claud Lovat Fraser.
£120.00
: 1kgs / : 971T56

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Description

Author's Presentation Copy, Colour Plates, Illustrated, Original Binding, Publishers' Original Binding, Signed

Signed and inscribed by Grace Lovat Frazer, the widow of Claud Lovat Fraser, born Grace Inez Crawford, an American singer, actress, costume designer, translator of plays, and author of several books. The pair met in her theatre dressing room during a fitting for a faun costume for Hugo Rumbold's adaptation of L'Apres-midi d'un Faune. They soon married and, until Fraser's death in 1921, worked jointly on a number of theatre projects, including Fraser's long-running production of The Beggar's Opera. With an inscription which reads: "So glad we have met, with love from Grace Lovat Fraser, July 24th 1958." Illustrated with a colour frontispiece and six colour plates, with numerous in-text images. Collated, lacking one plate to face page 56 entitled 'Lucy Lockit'. The Beggar's Opera is a satirical ballad opera in three acts originally written in 1728. It is one of the watershed plays in Augustan drama and ran for sixty-two consecutive performances, making it the second longest run in theatre history up to that point. The play is the only example of the once thriving genre of satirical ballad opera to remain popular today. Written by John Gay, an English poet and dramatist and member of the Scriblerus Club, best known for this work. With music arranged by Johann Christoph Pepusch, a German-born composer who spent most of his working life in England. Illustrated by Claud Lovat Fraser, an English artist, designer and author.

Condition

In the original quarter cloth binding with paper covered boards. Externally, sound with rubbing and light bumping to the extremities. Light sunning to the board edges with minor loss to the head and tail of the spine as well as the board tips. Small splits in the cloth to the head and tail of the spine resulting in minor fraying. With a split in the cloth to the rear joint and small splits to the front joint. Internally, firmly bound. Pages are bright with scattered spotting throughout. Age toning to the endpapers.

Good

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