1835 - 1837 The Works of William Cowper, Esq. Comprising His Poems, Correspondence, and Translations with a Life of the Author
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Description
Illustrated, Leather Binding
Originally fifteen volumes, volumes VI and VII are missing. William Cowper (1731 – 1800) was an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem Yardley-Oak. He was a nephew of the poet Judith Madan. After being institutionalised for insanity in the period 1763–65, Cowper found refuge in a fervent evangelical Christianity, the inspiration behind his much-loved hymns, he often experienced doubt and after a dream in 1773 believed that he was doomed to eternal damnation. His religious sentiment and association with John Newton (who wrote the hymn "Amazing Grace") led to much of the poetry for which he is best remembered. His poem "Light Shining out of Darkness" gave the English language the idiom "God moves in a mysterious way / His wonders to perform." Includes Cowper's translation of Homer's The Illiad, and much more of his printed works and poems. Also includes a small biography by Robert Southey. Robert Southey (1774 – 1843) was an English poet of the Romantic school, one of the so-called "Lake Poets", and Poet Laureate for 30 years from 1813 to his death in 1843. Although his fame has been long eclipsed by that of his contemporaries and friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse still enjoys some popularity. Illustrated throughout.
Condition
In quarter-calf bindings with gilt decorative boards. Externally generally smart, with some wear and bumping to the extremities to all volumes. Internally generally firmly bound, although the hinges are strained, with the cords visible, particularly to V. Pages range from bright and clean to very bright and clean, with very light tidemarks to the title pages of Volume V, VIII, XIII, XIV, XV. Occasional pencil markings. Bookplates to all volumes -The United University Library club. There are likewise stamps of the library throughout, although they are not over the text.
Good
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